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                <title>Notes by Conduitt on the technique of drawing gold and silver lace</title>
                <author xml:id="jc"><persName key="nameid_24" sort="Conduitt, John" ref="nameid_24" xml:base="http://www.newtonproject.sussex.ac.uk/catalogue/xml/persNames.xml">John Conduitt</persName></author>
                
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<extent><hi rend="italic">c.</hi> <num n="word_count" value="263">263</num> words</extent>
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                <authority>Newton Project</authority>
                <pubPlace>London</pubPlace>
                <date>2020</date>
                <publisher>Newton Project, University of Oxford</publisher>
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            <notesStmt><note type="metadataLine">1696-1727, <hi rend="italic">c.</hi> 263 words.</note></notesStmt>
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                <origDate when="1696-03-01">1696-1727</origDate>
                <origPlace>England</origPlace>
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            <change when="2001-01-01" type="metadata">Catalogue information compiled by Rob Iliffe, Peter Spargo &amp; John Young</change>
            <change when="2011-09-29" type="metadata">Catalogue exported to teiHeader by <name>Michael Hawkins</name></change>
            <change when="2020-02-03">Transcribed by <name>Robert Ralley</name>.</change>
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                <p xml:id="par1">The method of drawing wire for <lb xml:id="l1"/>gold &amp; silver laces &amp;c</p>
                <p xml:id="par2">First refine it, than run it into <lb xml:id="l2"/>square bars then cut out all <lb xml:id="l3"/>hollow porous parts, then neal it <lb xml:id="l4"/>i.e. make it red hot in a forge, <lb xml:id="l5"/>then 3 or 4 men round it by, <lb xml:id="l6"/>heating it with hammers on an <lb xml:id="l7"/>anvill whilst it is red hot the <lb xml:id="l8"/>doing of <choice><abbr>w<hi rend="superscript">ch</hi></abbr><expan>which</expan></choice> requires great skill <lb xml:id="l9"/>&amp; dexterity, then they <del type="strikethrough">make</del> gild <lb xml:id="l10"/>it <del type="strikethrough">some times</del> by putting leaf gold <lb xml:id="l11"/>round it some times 3 leaves, then they make it red hot in the forge, <lb xml:id="l12"/>&amp; stone it i.e. that is rub it all <lb xml:id="l13"/>round <add place="supralinear" indicator="no">hard</add> with pe<subst><del type="over"><gap reason="illgblDel" extent="1" unit="chars"/></del><add place="over" indicator="no">b</add></subst>bles or marble or <lb xml:id="l14"/>any stone that will not take off the <lb xml:id="l15"/>gold, the stoning it red hot incorporates <lb xml:id="l16"/>the gold with the silver, then they <pb xml:id="p002v" n="2v"/> thro<hi rend="superscript">u</hi> cast plates of iron with holes <lb xml:id="l17"/>in it of several sizes, those plates are only made in France &amp; only by <lb xml:id="l18"/>one man there &amp; it is death to <lb xml:id="l19"/>export them but however more <lb xml:id="l20"/>are brought hither for sale then <lb xml:id="l21"/>are wanted, no body here can <lb xml:id="l22"/>temper the iron so as to give it <lb xml:id="l23"/>that hardness — silver lengthens a <lb xml:id="l24"/>third every hole they draw it thro<hi rend="superscript">u</hi>, <lb xml:id="l25"/>gold does not, it is much more <lb xml:id="l26"/>difficult to draw silver in su<choice><orig>m̄</orig><reg>mm</reg></choice>er <lb xml:id="l27"/>than in winter, they heat the gold <lb xml:id="l28"/>&amp; silver every 4<hi rend="superscript">th</hi> or 5<hi rend="superscript">th</hi> hole they <lb xml:id="l29"/>draw it thro — This is done by <lb xml:id="l30"/>the refiners, the <del type="strikethrough">silver</del> wire drawers <lb xml:id="l31"/>draw it afterwards in the same manner <lb xml:id="l32"/>thro<hi rend="superscript">u</hi> lesser holes —</p>
                
                
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                <p xml:id="par3">The Method of <lb xml:id="l33"/>drawing wire for <lb xml:id="l34"/>gold &amp; silver <lb xml:id="l35"/>laces —</p>
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